![]() You could adjust the colors if you went deep enough into the menu system but it wasn’t straightforward. Profiles in digital camerasĮarly digital cameras had primitive color controls and the result was that every photo from the same camera had the same color treatment. Many photographers experimented with a variety of film types until they found the ones that suited them best. The ability to match film to subject was an essential skill. So photographers used another type of film that rendered color more subtly and gave flattering skin tones. But the color of Velvia was totally unsuitable for portraits. ![]() For example, many landscape photographers used Fuji’s Velvia slide film because of its fine grain, high contrast and saturated colors. ![]() But your options were still limited compared to Raw files or scanned film.īack then, color treatment was largely determined by the film stock used. ![]() Color negative film was more flexible as you could alter the color balance when printing. But with slide film (prior to Photoshop at least) there was no way to alter the color treatment after the photo was taken. Do you remember the days when all photographers used film cameras and Photoshop was merely a glint in a software engineer’s eye? Many professionals and hobbyists used slide film for the quality and/or commercial requirements. In order to understand why we have profiles in Lightroom Classic we have to go back in time. That’s not to say you can’t experiment, but you need to understand that there are times when it’s better to be consistent. It’s more productive than using different profiles, and different developing styles (perhaps influenced by Develop Presets), which can lead to a confused developing style that chops and changes and never settles on a single approach.
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